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Stereo Equalizer

This information is essential for finding a car

Car Stereo equipment can be expensive. Although the purchase of a receiver, you need to know exactly what you want. Of course, the two main aspects to bear in mind are the kind of music you want to listen and the budget you have in mind - or not.

If you want to keep the load on your wallet low, screen savers, animations flashy and other features that are not essential can not be avoided. But the system should atleast have some sort of LCD screen. It So is able to see the track names or numbers.

If you want to replace the radio with a CD player base and keep the old Speakers, a reader CD with a built-in pre-amp is something you can go to. This power the speakers and give you the desired effect.

To adjust bass, treble and midrange to help tailor the sound to change the shape and style of music, a CD player with a minimum of one 3-band EQ is something you can consider giving you the desired result.

If the car is quite old or you are trying to improve your old factory speakers, you can buy a Speaker Set.

If you're the kind of person who burns a lot of music CDs on your computer a CD that is readable Mp3 is something you might be interested in. This allows you to burn a number of songs on a CD you can listen on this player.

50W/channel of power is that most bridges have. Thus, if your speakers are 50W RMS or less, they will be powered by your terrace itself.

If you want the system to have more bass, a base subwoofer would be perfect. For this you will need an amplifier.

The class (D mono-channel) amplifier is designed only for a subwoofer to be powered. Class D amplifiers are on the side cheaper. All their power goes into a single channel. Thus, two chains must not be interconnected. An amplifier containing an RMS power equal to or slightly below the RMS subwoofer would be sufficient. RMS is nothing but the power unit can handle continuously.

If two woofers are there you must ensure that the amplifier is capable of transmitting power required for two of them. Connect two of them in a parallel circuit can be done to get the best results. If most of your Power Amplifier RMS is equal to or more than the power of RMS subwoofer, you not to worry about anything. If the RMS power of the amplifier is more than the subwoofer, caring for the music blasting. Giving too power to the subwoofer can be dangerous because it could explode under such pressure.

immense amount of information is available on the Internet you can take before making a decision on your car radio.
Car Stereo equipment is a must.

About the Author

Muna wa Wanjiru Has Been Researching and Reporting on Car Stereos for Years. For More Information on Car Stereo, Visit His Site at CAR STEREO

Koss Stereo Equalizer $14.99 KOSS STEREO EQUALIZER

D.W. Fearn VT-5 Stereo Equalizer $7500 The VT-5 Stereo Equalizer is a dual-channel version of the acclaimed D.W.Fearn VT-4 LC Equalizer (see #180274). The frequencies, steps, curves, etc. are exactly the same. The VT-5 is a true stereo equalizer, with one set of controls that work on both channels simultaneously. This equalizer will change the way you think of EQ. It's smooth and sweet, and can be very subtle at mild settings, but quite strong with aggressive use of the controls. Creative use of the low boost and cut will create a powerful bass that has to be heard to be believed. The high boost adds just the right brightness to vocals, guitars, any sound, or even an entire mix. Even with extreme settings, the VT-5 will never sound harsh. This single-channel equalizer uses passive LC circuitry with class-A triode vacuum tube stages for the input and output. The tube circuitry is largely derived from the VT-1 (#180271)/VT-2 (#180272) mic preamp design, so the equalizer has much the same sonic character as the preamps. The LC-style passive equalization circuitry is based on the classic designs that are still the best-sounding way to achieve high-quality tonal control. The input is line-level, transformer-balanced bridging. An active vacuum tube input section has adjustable gain to accommodate input signals as low as -10 dBm. The input transformer is made by Jensen. The output stage utilizes the same custom Jensen transformer used on the VT-1/VT-2 mic preamps. All controls on the VT-5 equalizer are stepped for precise repeatability and uniform matching between units. High-quality rotary switches are used with 1% metal-film resistors. All of the audio capacitors are polystyrene or polypropylene. The inductors are also custom-made for Fearn by Jensen Transformers Inc. The equalizer is constructed of heavy-gauge aluminum, with a 3RU (5.25 inch), 1/4-inch thick front panel, finished in D.W. Fearn red. It matches the VT-1/VT-2 series of mic preamps in appearance and construction. Like the VT-1/VT-2 preamps, the VT-4 Equalizer has been designed to provide an exceptional tool for audio professionals. The design frequencies and curves were determined by ear, after extensive listening to a variety of program material, both individual tracks and overall mixes. The result is a highly musical EQ with plenty of range for enhancing any track or mix. Important Note: Having many tubes, the VT-5 generates a considerable amount of heat. We highly recommend using D.W. Fearn Vented Rack Panels (#180296) above and below the unit for proper cooling. The History of the VT-4/VT-5 Equalizer Throughout my career in recording, there have always been a few equalizers that stood out as being exceptional. Among my favorites are the 1970s-era Neve input-strip EQs, and the Trident CB9066 parametric. I began my equalizer developme

D.W. Fearn Vt-5 Stereo Equalizer $7500 The VT-5 Stereo Equalizer is a dual-channel version of the acclaimed D.W.Fearn VT-4 LC Equalizer (see #180274). The frequencies, steps, curves, etc. are exactly the same. The VT-5 is a true stereo equalizer, with one set of controls that work on both channels simultaneously. This equalizer will change the way you think of EQ. It's smooth and sweet, and can be very subtle at mild settings, but quite strong with aggressive use of the controls. Creative use of the low boost and cut will create a powerful bass that has to be heard to be believed. The high boost adds just the right brightness to vocals, guitars, any sound, or even an entire mix. Even with extreme settings, the VT-5 will never sound harsh. This single-channel equalizer uses passive LC circuitry with class-A triode vacuum tube stages for the input and output. The tube circuitry is largely derived from the VT-1 (#180271)/VT-2 (#180272) mic preamp design, so the equalizer has much the same sonic character as the preamps. The LC-style passive equalization circuitry is based on the classic designs that are still the best-sounding way to achieve high-quality tonal control. The input is line-level, transformer-balanced bridging. An active vacuum tube input section has adjustable gain to accommodate input signals as low as -10 dBm. The input transformer is made by Jensen. The output stage utilizes the same custom Jensen transformer used on the VT-1/VT-2 mic preamps. All controls on the VT-5 equalizer are stepped for precise repeatability and uniform matching between units. High-quality rotary switches are used with 1% metal-film resistors. All of the audio capacitors are polystyrene or polypropylene. The inductors are also custom-made for Fearn by Jensen Transformers Inc. The equalizer is constructed of heavy-gauge aluminum, with a 3RU (5.25 inch), 1/4-inch thick front panel, finished in D.W. Fearn red. It matches the VT-1/VT-2 series of mic preamps in appearance and construction. Like the VT-1/VT-2 preamps, the VT-4 Equalizer has been designed to provide an exceptional tool for audio professionals. The design frequencies and curves were determined by ear, after extensive listening to a variety of program material, both individual tracks and overall mixes. The result is a highly musical EQ with plenty of range for enhancing any track or mix. Important Note: Having many tubes, the VT-5 generates a considerable amount of heat. We highly recommend using D.W. Fearn Vented Rack Panels (#180296) above and below the unit for proper cooling. The History of the VT-4/VT-5 Equalizer Throughout my career in recording, there have always been a few equalizers that stood out as being exceptional. Among my favorites are the 1970s-era Neve input-strip EQs, and the Trident CB9066 parametric. I began my equalizer development project by first building a series of test circuits, using all the various tone-modification techniques. After listening to a wide variety of equalization ci

The Equalizer $6 The Equalizer - NFL

Manley Eqp-1A Limited Edition Stereo 'Pultec' Equalizer $3240 The Manley EQP-1A Limited Edition Stereo 'Pultec' Equalizer is Manley's interpretation of the historic Pultec Equalizer times two! This amazing studio tool offers the flexibility that allows users to create stereo recordings or simultaneously EQ two separate instruments.Originally produced by Pulse Techniques, Inc. Manley has been building Pultec EQs since 1990 after they hunted down Eugene Shenk in New Jersey to ask for his permission and blessings to produce their own version of his classic piece. These Manley Pultec EQs employ a simple and clean all-tube make-up gain block to reamplify the signal after the passive EQ circuit. It offers the flexibility that allows the user to create stereo recordings or simultaneously go direct with two separate instruments.Manley Enhanced Pultecs use a transformerless signal path and has a vastly superior B+ power supply, with regulated and balanced heater supply. The Manley line amp is known to be killer-sounding. The components Manley uses today just weren't available in the 1960's. So, if you want a project with crackling carbon pots, dirty open frame wafer switches, 5% and 10% tolerance noisy carbon resistors, exposed tubes sticking out the back of the 3U chassis, etc., go pay top dollar for an antique Pultec!The Manley EQP-1A Limited Edition Stereo 'Pultec' Equalizer uses 1 x 12AU7WA and 1 x 6414 in it's ALL-TUBE single-ended line amplifier for the gain make-up and extra-beefy sound; gain is factory set for unity but additional gain is available by a rear mounted feedback adjustment trimpot. Like Manley 40dB Mic Preamps, the Manley Pultecs offer both transformer coupled balanced and direct capacitor coupled unbalanced outputs for easy interface and sonic variety.The EQ may be set to 'flat' positions or BYPASSED entirely. All BOOST and CUT controls are continuously variable conductive plastic potentiometers for absolutely silent operation and long life. Manley's single rack EQ unit mono blocks occupy one-third of the space of the 'antique Pultecs', an important consideration for allocation of outboard rack space. Manley added a couple extra frequencies too. The rear mounted input switch selects 0 degrees or 180 degrees PHASE INVERT for the balanced gold pin XLR input or the transformerless unbalanced bridging input (1/4" jack) may be selected in that switch's middle position.Kick drum? Bring on the Manley Pultec EQs and all the iron you can muster! You'll soon discover the power and magic of having those individual Low Frequency BOOST and CUT controls in that LF shelf circuit. Need a little clarity or extension? Try that middle bell-shaped Boost dialing in the sharpness of the boost on the BANDWIDTH control. Something bugging you? Ease it off with the HF shelf cut. You'll see. There's no substitute for what a Limited edition stereo Manley Pultec EQ can do!Studio quality stereo tube equalizerManley input transformer with pure nickel laminations potted in mu-metal case. 3K ohm input ZPHASE REVERSE switch for

Manley EQP-1A Limited Edition Stereo 'Pultec' Equalizer $3240 The Manley EQP-1A Limited Edition Stereo 'Pultec' Equalizer is Manley's interpretation of the historic Pultec Equalizer times two! This amazing studio tool offers the flexibility that allows users to create stereo recordings or simultaneously EQ two separate instruments.Originally produced by Pulse Techniques, Inc. Manley has been building Pultec EQs since 1990 after they hunted down Eugene Shenk in New Jersey to ask for his permission and blessings to produce their own version of his classic piece. These Manley Pultec EQs employ a simple and clean all-tube make-up gain block to reamplify the signal after the passive EQ circuit. It offers the flexibility that allows the user to create stereo recordings or simultaneously go direct with two separate instruments.Manley Enhanced Pultecs use a transformerless signal path and has a vastly superior B+ power supply, with regulated and balanced heater supply. The Manley line amp is known to be killer-sounding. The components Manley uses today just weren't available in the 1960's. So, if you want a project with crackling carbon pots, dirty open frame wafer switches, 5% and 10% tolerance noisy carbon resistors, exposed tubes sticking out the back of the 3U chassis, etc., go pay top dollar for an antique Pultec!The Manley EQP-1A Limited Edition Stereo 'Pultec' Equalizer uses 1 x 12AU7WA and 1 x 6414 in it's ALL-TUBE single-ended line amplifier for the gain make-up and extra-beefy sound; gain is factory set for unity but additional gain is available by a rear mounted feedback adjustment trimpot. Like Manley 40dB Mic Preamps, the Manley Pultecs offer both transformer coupled balanced and direct capacitor coupled unbalanced outputs for easy interface and sonic variety.The EQ may be set to 'flat' positions or BYPASSED entirely. All BOOST and CUT controls are continuously variable conductive plastic potentiometers for absolutely silent operation and long life. Manley's single rack EQ unit mono blocks occupy one-third of the space of the 'antique Pultecs', an important consideration for allocation of outboard rack space. Manley added a couple extra frequencies too. The rear mounted input switch selects 0 degrees or 180 degrees PHASE INVERT for the balanced gold pin XLR input or the transformerless unbalanced bridging input (1/4" jack) may be selected in that switch's middle position.Kick drum? Bring on the Manley Pultec EQs and all the iron you can muster! You'll soon discover the power and magic of having those individual Low Frequency BOOST and CUT controls in that LF shelf circuit. Need a little clarity or extension? Try that middle bell-shaped Boost dialing in the sharpness of the boost on the BANDWIDTH control. Something bugging you? Ease it off with the HF shelf cut. You'll see. There's no substitute for what a Limited edition stereo Manley Pultec EQ can do!

Dual 15-Band Stereo Graphic Equalizer $63.99 Active balanced XLR, 1/4" TRS and unbalanced RCA inputs and outputs Constant Q bandwidth from each filter with 3% frequency accuracy Parallel filter design for minimal phase distortion Ultra-low noise circuitry 6dB or 12dB selectable gain Single-space rack-mount design

Dual 31-Band Stereo Graphic Equalizer $102.99 Active balanced XLR, 1/4" TRS and unbalanced RCA inputs and outputs Constant Q bandwidth from each filter with 3% frequency accuracy Parallel filter design for minimal phase distortion 6dB or 12dB selectable gain Variable low-cut and low-pass filters 2-space rack-mount design

AudioSource EQ200 10-Band Stereo Grahic Equalizer $132.99 Type: Graphic Equalizer Connectors: Inputs: Audio, Video, Tape 1, Tape 2 Outputs: Main, Tape 1, Tape 2 Audio: Frequency Response: 10 Hz - 50 kHz +/- 1 dB Harmonic Distortion: 0.03% of nominal output Signal to Noise Ratio: -95 dB Input Impedance: 100k ohms Output Impedance: 600 ohms Load Impedance: 10k ohms or more Control Center Points: 30 Hz, 60 Hz, 120 Hz, 250 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, 8 kHz, 16 kHz Control Range: +/- 12 dB Features: Spectrum Analyzer Display Tape 1 / Tape 2 play-record loops EQ Bypass Front panel Right and Left Level controls Dimensions: 16.5" x 3.5" x 11.25" (W x H x D) Weight: 8 lbs. (3.63 kg)

Behringer Ultragraph FBQ-Pro 15-Band Stereo Graphic Equalizer $108.99 This graphic equalizer features an FBQ feedback detection system with a low-cut filter for removing unwanted frequencies. The shielded toroidal power transformer offers a low-noise performance.

Behringer Ultragraph FBQ-PRO 31-Band Stereo Graphic Equalizer $142.99 This graphic equalizer features an FBQ feedback detection system with sweepable high- and low-cut filters for removing unwanted frequencies. The shielded toroidal power transformer offers a low-noise performance.

InstallerNet Amplifier / Equalizer e-InstallCard $89.99 Type: Installation Title: Amplifier / Equalizer e-InstallCard Description: Auto Amplifier or Equalizer Scope of Work: With this e-InstallCard a professional Mobile Electronics installer will install an aftermarket amplifier or equalizer including wiring it to an existing car stereo system. The installer will mount the unit while wiring power, ground, trigger, speakers and the input from the existing radio. An amplifier installation kit will be required and is not included with this card. Some vehicles may require additional labor due to the complexity of the vehicle and the access to the speaker wires. Disclaimers: Some vehicles will require additional amplifier bypass harness to rewiring a factory amplifier along with additional labor, for example vehicles that have factory Bose, Infinity or other premium sound system. If the...

KICKER 03KQ5 5BAND PARAMETRIC EQUALIZER $298.94 5Band parametric equalizer. 5 bands with variable center frequencies. 2 sets of inputs for line switching and fader control. Bass: 40 hz90 hz. Midbass: 125 hz250 hz. Lower midrange: 300 hz750 hz. Upper midrange: 1 khz4 khz. Treble: 6 khz20 khz. Cut/Boost: 12 DB. Input sensitivity: 950Mv9.6V. Output level: 7V rms. Stereo/Mono operation.

AudioSource EQ200 10Band Graphic Equalizer $246.99 The AudioSource EQ 200 is a twochannel graphic equalizer designed for use within a home entertainment system. Each channel features ten bands of boost/cut EQ and all twenty sliders contain illuminated LEDs which makes it easy to check settings even from across the room. 10band stereo graphic equalizer with 10 slider controls for each channel. Sliders range from 39 Hz to 16 kHz; overall frequency response of 10 Hz to 50 kHz. Illuminated LED sliders with multicolor spectrum analyzer that monitors audio output. EQ bypass function contrasts between equalized and unequalized sounds. Includes 2 A/V inputs and 2 tape inputs and outputs. Size: 16.56 W x 3.5 H x 11.88 D.

Behringer ULTRAGRAPH DIGITAL 24-Bit Equalizer/Feedback Destroyer/Dynamics Processor $217.99 This equalizer features EQ, RTA and dynamic processing for PA and mastering applications and a noise gate/peak limiter function, plus a stereo imager, to ensure spatial enhancement.

Rodin Audio AudioSource EQ 200 - equalizer. Each $164.64 Manufacturer: Rodin Audio. Each. The 10 band stereo graphic equalizer EQ200 continues a 20-year tradition of building unique equalizers. PRODUCT FEATURES: Dual tape monitor loop; Multi colored spectrum analyzer display; LEDs in all sliders. Product Type:

Dtar Equinox Parametric Equalizer Preamp $258.3 The Equinox from D-TAR, is an audiophile-quality 3-band parametric equalizer preamp with low noise components and circuit design that makes it ideal for studio and live use. The Equinox preamp's frequency sweep control, bandwidth control, and boost/cut control corrects or enhances very specific tonal problem areas. Dual notch filters control or eliminate acoustic feedback. D-TAR Equinox is an ideal preamp for musicians who require precise control of their EQ in any environment.D-TAR - Duncan/Turner Acoustic ResearchSeymour Duncan and Rick Turner are two legends who spent years working with musicians, perfecting their tone. Seymour founded his self-named company in 1978 which has become well-known for its wide variety of guitar and bass pickups used by just about every name player from Billie Joe Armstrong to Angus Young. Rick co-founded Alembic, was president of Gibson Labs West Coast R&D Division, co-founded Highlander Musical Audio making piezo acoustic guitar pickups for Lindsay Buckingham, Ry Cooder, David Lindley, and Andy Summers, and runs his own Renaissance Guitars. Now Seymour and Rick are working together to create innovative products for acoustic musicians. Their D-TAR motto: "With respect to acoustic tone."3 Band Parametric Equalizer Preamp Allows precise EQ control to correct or enhance very specific tonal problem areas with frequency sweep control, bandwidth control, and boost/cut controlTwo independent notch filters Eliminate acoustic feedback20 dB gain switch Provides instant gainTrue bypass switching of non-activated functions bypass switch removes entire EQ and notch filter sections from signal chain leaving only high impedance, low noise input and buffered outputHigh quality components extremely low noise and distortion, audiophile quality sound¼" stereo input jack allows connecting input and output to Solstice on a single, stereo cableCompact, portable design an be used as a stand-alone preamp for ultra portable instrument amplification systemsInput Jack: ¼" Stereo, input on tip / output on ring, allows interface with DTAR Solstice (Acoustic Mixer) using a single, stereo cable.Output Jack: 1/4" MonoPower Supply: Internal ±15V derived from 15VAC external, wall mounted power transformer.

Pyle RBPLE420P In-Dash 4-Band Parametric Equalizer (Refurbished) $70.66 Customize the sound of your stereo with this in-dash four-band parametric equalizer from Pyle. This equalizer is a half-DIN size and features a 3.5 mm jack, DVD/AUX input selector, sub output control, and unique blue light illumination.half DIN size Pre-amp line and AUX inputs via RCA jacks Input gain adjustments 3.5 mm DVD input jack DVD/AUX input selector Rotary fader Output volume control Sub output volume control Sub crossover frequency 30-250 hz variable 4-band parametric equalizer Blue light illumination Dimensions: 7 inches wide x 4.13 inches deep x 1.10 inches highThis high-quality item has been factory refurbished. Please click on the icon above for more information on quality factory-reconditioned merchandise.

GEQ-131 - equalizer $115.99 Nady GEQ-131 - Equalizer

GEQ-215 - Equalizer $117.99 Nady GEQ-215 - Equalizer

Drawmer 1961 Vacuum Tube Equalizer $2325 Designed to complement the widely acclaimed Drawmer 1960 Mic Pre-Amp Vacuum Tube Compressor, the 1961 Vacuum Tube Equalizer combines low-noise circuitry with no fewer than twelve active tube stages to provide two channels of exceptional equalization possessing unique 'personality'. Rather than employ a continuously variable resistor as a means of frequency control, the 1961 utilizes the same rotary 'step' switching system used in vintage designs . This enables the component values for each frequency band to be optimized for uncompromising performance across the entire audio spectrum and also makes setting up more accurate, particularly when treating stereo signals. The design of the 1961 allows the user to control the amount of 'warmth' by deciding how hard to drive the tubes giving a sound as 'clean' as the best discrete solid state designs or as 'hot' as the 'hottest' classic tube designs. The 1961 and 1960 Can be 'interlinked' to provide, in effect, a two channel vacuum tube mixing console, - the perfect mastering or post audio 'sweetening' tool. Facilities available on the 1961 include: Input level A variable input level of -20dB to +20dB ensures compatibility with a wide range of input source material and enables the user to optimize signal level and drive the tubes 'soft' or 'hot' as required. LED bargraph displays give a clear indication of the input signal level. High Pass Filter A variable 12dB/Octave roll-off filter adjustable from - 15Hz to 500Hz section enables the user to remove unwanted low frequencies and sub-sonic noise. Equalization Each channel of the 1961 has four main equalizer sections with six carefully chosen overlapping frequencies and a separate tube stage for increased harmonic clarity. Each section also includes variable band width from 0.3 Octave to 3 Octaves and +18dB of Cut and Boost. BASS frequencies (Hz) 20, 32, 50, 80, 125, 200_LO-MID frequencies (Hz) 100,180, 250, 400, 650,1K_HI-MID frequencies (kHz) 0.5, 0.8,1.2, 2.0, 3.2, 5.0_TREBLE frequencies (kHz) 2.5, 4, 6,10,15, 25 Low Pass Filter A variable 12dB/Octave roll-off filter adjustable from 2.5kHz to 56kHz enables the user to remove high frequency interference or to band limit excessively high levels of high frequencies. Output Stage Two additional tube stages in the output section of each channel allow the user to achieve 'soft clipping' by adjusting the input level control whilst visually monitoring the effect upon the 'Soft' and 'O/L' (Overload) LED's. Bypass In addition to a master bypass switch for each channel each of the parametric and shelving filters has its own separate bypass switch. This not only makes the 1961 very straight forward to set up, by allowing instant A-B comparison ,but also enables the tube output stages to be used to add tube coloration without EQ simply by leaving each channel switched to 'In' and each individual EQ sections switched to 'Out' The master bypass switch for channel bypasses all the filter sections as well as the ou

Yamaha Q2031B DUAL-CHANNEL GRAPHIC EQUALIZER $629.99 Highly sophisticated stereo 31-band graphic eq from Yamaha, the Q2031B Dual-Channel Graphic Equalizer features an automatic muting circuit. Mutes output for 3 to 5 seconds after power is switched on. The Yamaha Q2031B includes 6 or 12dB of boost or cut, with points centered at ASO 1/3 octave frequencies from 20Hz to 20kHz; both balanced XLR connectors and standard unbalanced phone jacks.Impeccable Yamaha sound qualitySwitchable 6db or 12db control rangeHigh-pass filter kills stage rumbleXLR and 1/4" connectors for any hookup

Yamaha Q2031b Dual-Channel Graphic Equalizer $629.99 Highly sophisticated stereo 31-band graphic eq from Yamaha, the Q2031B Dual-Channel Graphic Equalizer features an automatic muting circuit. Mutes output for 3 to 5 seconds after power is switched on. The Yamaha Q2031B includes 6 or 12dB of boost or cut, with points centered at ASO 1/3 octave frequencies from 20Hz to 20kHz; both balanced XLR connectors and standard unbalanced phone jacks.Impeccable Yamaha sound qualitySwitchable 6db or 12db control rangeHigh-pass filter kills stage rumbleXLR and 1/4" connectors for any hookup

Refurbished Yamaha Q2031b Dual-Channel Graphic Equalizer $509.99 Highly sophisticated stereo 31-band graphic eq from Yamaha, the Q2031B Dual-Channel Graphic Equalizer features an automatic muting circuit. Mutes output for 3 to 5 seconds after power is switched on. The Yamaha Q2031B includes 6 or 12dB of boost or cut, with points centered at ASO 1/3 octave frequencies from 20Hz to 20kHz; both balanced XLR connectors and standard unbalanced phone jacks.Impeccable Yamaha sound qualitySwitchable 6db or 12db control rangeHigh-pass filter kills stage rumbleXLR and 1/4" connectors for any hookup

Used Yamaha Q2031b Dual-Channel Graphic Equalizer $573.29 Highly sophisticated stereo 31-band graphic eq from Yamaha, the Q2031B Dual-Channel Graphic Equalizer features an automatic muting circuit. Mutes output for 3 to 5 seconds after power is switched on. The Yamaha Q2031B includes 6 or 12dB of boost or cut, with points centered at ASO 1/3 octave frequencies from 20Hz to 20kHz; both balanced XLR connectors and standard unbalanced phone jacks.Impeccable Yamaha sound qualitySwitchable 6db or 12db control rangeHigh-pass filter kills stage rumbleXLR and 1/4" connectors for any hookup

Car FM Transmitter with Bluetooth Equalizer $34.49 Overview:1.1.5"LCD display the phone no when there is a call coming 2. Excellent sound quality with D.S.P solution for echo cancellation3. Supports the remote control to meet dials or pick up telephone 4. When telephone comes the music automatic cut over to telephone 5. Broadcast music stored up by the automobile through car stereo 6. Stereo Bluetooth and FM transmitter technology7. Support SD/MMC card 8. Support SD/WMA music format 9. Automatic last memory10. Car cigarette lighter power supplySpecification:Size: 22 x 7.9 x 6cmNetweight: 0.2kg

Koolsound PA EQ-231 31 Band Stereo Equalizer XLR 2U Rack $119.9 If you use a PA system at events or gigs you'll know how important sound can be and also the way your PA sounds in different spaces. To get your sound just right, a graphic EQ can make a big difference! This 31 band 2 channel graphic EQ features 31 adjustable frequencies from 20hz to 20khz covering the entire frequency range allowing you to fine tune your sound to the location or the music. Low cut filters help reduce unwanted rumble and help keep bass tight and the bypass switches allow you to cut the EQ in and out so you can hear the difference while adjusting it. The device also scores points with professional fittings and components, a secure steel chassis and the ability to rack mount. If you're looking for better performance from your PA then the Koolsound PA EQ-231 31 is the answer. For PA speakers and amps please see the other items in our shop.

PylePro PPEQ200 Dual 10 Band Stereo Graphic Equalizer with Spectrum Display $152.53 10 Bands of Equalization(Per Channel) with a Range of (+/) 12dB. Center Frequencies: 30Hz 60Hz 120Hz 250Hz 500Hz 1KHz 2KHz 4KHz 8KHz 16KHz. 10Band Multicolor Spectrum Analyzer Display. 4 Pairs of Audio Inputs (Audio Video Aux Tape 1 Tape 2). 3 Pairs of Audio Outputs (Main Tape 1 Tape 2). SignaltoNoise Ratio: 95dB. THD: 0.03. 110/220 Voltage Selectable. Rack Mountable. Dimensions: 19 W x 11.1 D x 3.5 H

Lanzar OPTIE15 Optidrive 15 Band HalfFull Octave Stereo Equalizer $133.75 15 Left and 15 Right Bands. 10 Half Octave Controls. 5 Full Octave Controls. 4 Channel Output Via Gold Plated RCA Jacks. Fader Control. Full Line Output. Defeat Switch. Trunk Mount with Discrete Wire Connections. Blue Light Illuminated Aluminum Panels. Isolated DCtoDC Power Supply. Frequency Response: 10Hz30kHz. Dimensions: 1.50 H x 11.62 W x 8.27 D

Phonic iA231F Graphic Equalizer with Feedback Detection $329.99 The iA231F is a multi-functional two-channel graphic equalizer with 1/3 octave 31-band ISO frequencies. It features an on-board feedback detection system that can be placed in active or bypass mode. When active it seeks out feedback and helps to destroy it by illuminating an LED on the frequency band slider when feedback is detected. The LED stays lit until the feedback has been eliminated; giving you the vital information you need to level feedback in your system. The frequency band boost/cut range can be set at 6 or 12 dB. This allows for greater refinement of the bands at 6 dB, or more boost and cut at 12 dB. A stereo link function lets you combine the left and right channels and assign the same settings to both of them with one row of frequency bands. Variable low and high cut 18 dB/octave Butterworth filters let you roll off unwanted frequencies, and a limiter is selectable down to -20 dB. Other features include two sub outputs with individual variable crossover frequencies, EQ bypass mode and an 8-segme Height: 3.52 Width: 0 Weight: 10